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Help: Film review and discussion
The film the help (2011) adapted for the screen and led by Tate Taylor by the novel by Kathryn Stockett tried to tackle a heavy complex topic from a questionable perspective. The film is set in the 1960s in Jackson Mississippi, two details that load the movie as well as it is possible. The 1960s were the civil rights in America, and Jackson Mississippi was a dangerous place. It was in the home of the Confederation and was a place where hundreds of innocent black ones were among many other horrors lynt they had suffered. This review focuses on two characters: Skeeter Phelan, the main character played by Emma Stone, and Miny Jackson, played by Octavia Spencer.
Emma Stone's Character Skeeter is perhaps one of the most problematic in a movie that is already very problematic. The film tries to tell the history of marginalized women who survived the Jim Crow era, one of the most ugliest epochs in American history. Instead, the film is at the edge of the short of a "white rescuer" injury, trying to tell the story of these marginalized women through the lens of the brave and sparkling woman who tries to help them (skeeter / emma stone) . The character of Stone has just completed college, and her experiences from home have created a sense of dissonance between the people with which they grown with and the realities of the world. Her mother (Allison Janney) is incredibly ill and would like to focus on finding a husband. Skeeter continues to hang with its old friends in the city and edit the women's league paper, but it strives to become a legitimate writer and writes about a real piece. She gets the idea to question a book with the black women of the city, which worked as housekeepers. The book will be detailed and discuss your experience to operate the households of white women and raise white children.
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This is because in terms of "cultural consciousness and intercultural adaptation capabilities" skeeter figures in relation to their own journey are very low. Skeeters Time at College liked to take them into the stage: recognition that there were other cultures than their own. When the film opens, we see them in the stage two, rejected the backwards and racist culture of their city and not able to measure their old friends properly or happy. Maybe at the end of the film, you could argue that the skeeter stage reaches three, in which a decision has been made, and it has decided to reject the rear culture permanently from which it was raised. It is not clear if you have chosen a new culture or if you go to New York, it should imply.
In terms of cultural sensitization and intercultural adaptation capabilities, Skeeter has to work on their journey in this regard and make changes. It has to be a distance from her family and her friends, all of which were previously the deputies and influences of their culture. She undermines and criticizes many of the complaints that make their friends about their black maids, trying to subtle a mirror in the substances of injustices that these women suffered. The journey of the Skeeter starts when trying to write the book and reach the black ....
The help.Guided by Tate Taylor, Perf. Emma Stein, Viola Davis. Dreamworks, 2011.
Holcomb, Thomas K. Introduction to American Dove Culture. Oxford Univ. P, 2013.
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