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"Problems" takes place in the course of a wedding weekend "on an adrorney east coast resort island" and follows the conflict monologue of the best man who swings hard between pride and weak resentment in the success of the groom, his degree school friend bob DC-operative use, which advises a top GIG consultation as a Vice President Al Gore. In quite "problems", the Gore-Aides flank the wedding events in a nerve rack pack, "carries hairbands, speak on mobile phones," the potential for a visit to Gore itself, while our poor narrator-aimless and fighting in his relationships in his relationships In the nature of the engaging, existential scientific spiral, which can clearly trigger weddings. "He needed someone to be his friend," says the narrator about Bob, "to help him what he has become, but I also feel that he did, and remember that I was there "
It is a story, largely about the sense of futility in the face of another other of someone else, what, as I write that, I realize is not a funny concept, and not really the new one. But the Humor of History is working just because of this familiarity who understands Klam, and is patient enough to finally turn on the page on a brilliant way.
Very often, the most effective humor does not come from a clever concept or turning of phrases or one-liner or a piece of killer dialogue. Instead, it comes from the manipulation carefully built structures, from the paths in which they introduce known patterns, then undermine these patterns with an insightful character action. I think of Susanna Kaysens Deadpan, but funny dark talks with her suicide adviser in girl, broken or Tom Mota, which occurred his casual shirt and his pants as he admits a nearby crackup Joshua Ferris's i> then we came to the end . Or it is Louis Ck, on stage, the very clean case asks that its four-year-old, which is based on joint evidence, is an asshole. Each of these artists finds a way to present a mature human experience in a way that we understand, which we raise with medical professionals, the workplace, raise a child - and then suddenly distract this understanding. The humor is not cosmetic in these cases. It is a structural concern. It is integrated into the founding of a story, a slow building of voltage and release. And it often depends on cultural scripts, as Matthew Klam plays in "problems" - the proven template of the early thirties, wedding regular spiral.
And what does Klam do with this script? He follows the logical endpoints: the wedding toast, a trademark, which is with expectation so ripe is that Klam put his narrative in a position to surprise himself. "They had many jobs, Bob," says the narrator, the legs heavy and nervous, the team of Al Gore. "You're smart. Very smart." Grill in awning. And then, after all, when he mumbles and does not remember, remembering Bob's rich achievements - we saw all that before, right? - We get that:
"Why could not I have been in a loser wedding now?" he says. "I do not have to remember so much. Can not you stop and give someone else a chance, because of Christ's sake?"From there, the crowd releases the amount, and the toast inherent half for the narrator on such funny, fearing, but electrically, what the slow construction of tensions and familiarities that came in front of him owes everything. I will not ruin it for you Bob, but knows better, and as a result, our narrator recognizes that he probably fulfilled the Vice-President of the United States this weekend or saw his old friend again.
I thought of the story of Klam often when it was time to write my memoire, which was admittedly about a very unfunning experience: a lifelong hormone disease, with which I was diagnosed for twenty-four years. But I did not remember. There were funny moments, and I wanted to write about them. Only when I started reading writers like Matthew Klam, I realized how I should do that. The story of my illness was loaded with red experiences - traveling to doctors and weddings, jobs In offices - and on every disease proved that my illness, sometimes on very funny ways to be a completely destabilizing power. The fun (and hopefully funny) part determines why, and then directly into the breakdowns.
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